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  <url>
    <loc>https://www.halrammel.com/graphic-art-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-10-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1603309161888-3K64QM6ZCTIX9UWUCD6N/AEROdreamBook_cover.jpg</image:loc>
      <image:title>Graphic art</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1603309161888-3K64QM6ZCTIX9UWUCD6N/AEROdreamBook_cover.jpg</image:loc>
      <image:title>Graphic art</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517433398882-X4OU57UYHRI9AF6RUK1Z/Ages_HR+web.jpg</image:loc>
      <image:title>Graphic art - Aero Through the Ages, 2009</image:title>
      <image:caption>A retrospective of cartoons and comics by Hal Rammel from 1979 to 2009, Aero Through the Ages was published in Chicago by Corbett vs. Dempsey Gallery, ”Rammel creates an amusing, touching, expressive succession of dream-images that trace  the voyage of the central character through an abstracted landscape of nuclear power plants, cityscapes, menacing clothespins, and medieval-looking fortresses and castles.   Aero’s journey is amusing and enveloping, and Rammel gives us a fluid evolution of visual impressions that are a study in the possibilities of metamorphosis, distortion, and  shifting planes of reality.  What’s notable is the uncompromised allusiveness of the conception and execution.” (Dale Luciano, The Comics Journal, September 1981)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1580911643909-DASPEYB5HC5PFLJ6Z3PX/LuminiferousAero_HR.jpg</image:loc>
      <image:title>Graphic art - Luminiferous Aero</image:title>
      <image:caption>by Hal Rammel.A new Aero adventure published in 2019 celebrating the 40th anniversary of the first Aero drawings. This volume includes the essay “Aero in the Luminiferous Aether” by Hal Rammel.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517432168033-LDB9460U4FXY4CT4F0I7/Ages_HR+web.jpg</image:loc>
      <image:title>Graphic art</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517432995264-65JTXD7CO3KM54KJKJ9J/Coverse_HRweb.jpg</image:loc>
      <image:title>Graphic art - Conversations in the Aether, 2014</image:title>
      <image:caption>Conversations in the Aether (Grafton: Penumbra, 2014) offers Aero's most recent adventures into the visual worlds of nine artists on the 20th century including Paul Klee, Sophie Tauber-Arp, Toyen, and Victo Brauner.  A set of 11 such 'conversations' is preceded by 'Aeolian Melodrama' in which Aero navigates the nightmares of the urban and rural landscape.  This 32 page book features an introductory essay by Alexandre Pierrepont.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517432463453-2S315VTYR5X8HEHBWU4A/Sketchbk_HRweb.jpg</image:loc>
      <image:title>Graphic art - Aerosophical Sketchbook, 2013</image:title>
      <image:caption>Aero explores the lines and concepts of Paul Klee's 1923 Pedagogical Sketchbook. Aero’s first adventures appeared in Aero Into the Aether (Chicago: Black Swan Press, 1981) and Song of an Aeropteryx (Chicago: Black Swan Press, 1983).  Subsequent cartoons and comix have been published in the pages of Aero Through the Ages (Chicago: Corbett vs. Dempsey, 2009), Aero: An Unfolding Adventure (Milwaukee: Woodland Pattern Book Center, 2011), and Conversations in the Aether (Grafton: Penumbra Music, 2015).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517789857178-AS9N4NB6UFEZ9XQ42V91/Unfolding6_HRweb.jpg</image:loc>
      <image:title>Graphic art - Aero: An Unfolding Adventure, 2009</image:title>
      <image:caption>Aero: An Unfolding Adventure was published in 2009 by Woodland Pattern Book Center in Milwaukee on the occasion of a retrospective exhibition of Aero original drawings, 1979 to 2009. It was printed as three 11" x 14" unbound pages within a paper sleeve in an edition limited to 30 copies. Out of print.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517432714452-1KO4J47LXC329F0DRSA9/Aeroptyx_HRweb.jpg</image:loc>
      <image:title>Graphic art - Song of an Aeropteryx, 1983</image:title>
      <image:caption>The second Aero comic book, published by Black Swan Press in Chicago in 1983, included a 7" single record featuring improvised music by the trans duo (violinist LaDonna Smith and guitarist Davey Williams). The drawings and recordings were reissued by Atavistic Records in Chicago as part of the reissue of White Earth Streak, an earlier trans recording that included bassist Torsten Muller.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1603309351924-AAZNZF8QCO3QVP2AYJMK/AEROdreamBook_coverwebsite.jpg</image:loc>
      <image:title>Graphic art</image:title>
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      <image:loc>https://static1.squarespace.com/static/5a71f7920abd04dc5622c245/5a722d534192026a98521fd4/5f908ed37f5c685fb7521e1e/1603309274229/</image:loc>
      <image:title>Graphic art</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.halrammel.com/pinhole-photography-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-10-19</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517495058212-PAWCKRZ2OIIXH6YYZB6X/Still_zebra.jpg</image:loc>
      <image:title>Pinhole photography - Still Life with Zebra (for Gina Litherland), 2014</image:title>
      <image:caption>Pinhole photograph, silver gelatin print, 8" x 10."</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517495058212-PAWCKRZ2OIIXH6YYZB6X/Still_zebra.jpg</image:loc>
      <image:title>Pinhole photography - Still Life with Zebra (for Gina Litherland), 2014</image:title>
      <image:caption>Pinhole photograph, silver gelatin print, 8" x 10."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517433105314-D4FC77J7XVKPYP9YYOMG/Creek032415aweb.jpg</image:loc>
      <image:title>Pinhole photography - Cedar Creek, 2016</image:title>
      <image:caption>Pinhole photograph using paper negative in homemade camera. Silver gelatin print, 8" x 10"</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517495278480-76JER6RQITD9CL9J2T8U/StillLifeBrakeSpring_web.jpg</image:loc>
      <image:title>Pinhole photography - Still Life with Brake Spring, 2014</image:title>
      <image:caption>Pinhole photograph, silver gelatin print, 8" x 10."</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517495317755-3XNTGK72CH8GB9AIUNEZ/StillLifewithTimePassing_web.jpg</image:loc>
      <image:title>Pinhole photography - Still Life with Time Passing, 2014</image:title>
      <image:caption>Pinhole photograph, silver gelatin print, 8" x 10."</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517513876667-HQZDTIHIKE8INQV82VAT/HR_bottletreeWEB.jpg</image:loc>
      <image:title>Pinhole photography - Bottle Tree, 1999</image:title>
      <image:caption>Pinhole photograph, contact print positive from paper negative,  1999. Silver gelatin print, 8" x 10."</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.halrammel.com/stereo-photography-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517430065327-514KIX2SJOVPC6VEK3RM/Paired_June17aWEB.jpg</image:loc>
      <image:title>Stereo (3D) photography - Photogram, June 2017</image:title>
      <image:caption>Stereo cameraless photographs, 2017. Silver gelatin prints mounted on 11" x 20" card.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517430065327-514KIX2SJOVPC6VEK3RM/Paired_June17aWEB.jpg</image:loc>
      <image:title>Stereo (3D) photography - Photogram, June 2017</image:title>
      <image:caption>Stereo cameraless photographs, 2017. Silver gelatin prints mounted on 11" x 20" card.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517430179334-96LYPFB5NZYKETO6RL8E/Paired1818aWeb.jpg</image:loc>
      <image:title>Stereo (3D) photography - Photogram, January 2018</image:title>
      <image:caption>Stereo cameraless photographs, 2018. Silver gelatin prints mounted on 11" x 20" card for viewing with handheld reflecting stereoscope.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517430288189-269WS3R7FE6Y01ANQV88/Paired24175lrWEB.jpg</image:loc>
      <image:title>Stereo (3D) photography - Photogram, 2017</image:title>
      <image:caption>Stereo cameraless photographs, 2018. Silver gelatin prints mounted on 11" x 20" card for viewing with handheld reflecting stereoscope.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517430353670-DLMKPVYRFK4FKT5SU0KY/MirrorViewer_HRweb.jpg</image:loc>
      <image:title>Stereo (3D) photography - Reflecting stereoscope, 2017</image:title>
      <image:caption>Reflecting stereoscope built by Hal Rammel for viewing pairs of stereo photographs mounted separately on 10" x 10" cards. This stereoscope is modeled after the original reflecting (mirror) stereoscope invented by Charles Wheatstone in the 1830s in his studies of the phenomenon of binocular vision. Wheatstone ‘tested’ his stereoscope with geometrical drawings, but within a few years commissioned Fox Talbot to produce photographs that might be visualized in 3D using his invention.</image:caption>
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    <image:image>
      <image:loc>https://static1.squarespace.com/static/5a71f7920abd04dc5622c245/5a72251053450a0f69a8f904/5a722715e4966b8d0b5073a6/1517430549267/</image:loc>
      <image:title>Stereo (3D) photography</image:title>
      <image:caption />
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517430552167-IMOPC25Y82EAB24V3PQH/StereoViews_HRweb.jpg</image:loc>
      <image:title>Stereo (3D) photography - Handheld reflecting stereoscope with side-by-side mounted stereo photographs, 2017</image:title>
      <image:caption>Handheld reflecting stereoscope built by Hal Rammel for viewing stereo photographs mounted side-by-side on 12" x 20" cards. This is a handheld variation of the original reflecting (mirror) stereoscope invented by Charles Wheatstone in the 1830s for his studies of the phenomenon of binocular vision.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517495544386-KVCV0LHF3VS3BRTHZ1ZZ/16HR_stereoscope1996WEB.jpg</image:loc>
      <image:title>Stereo (3D) photography - Stereoscope, 1996</image:title>
      <image:caption>Remodeled vintage stereoscope by Hal Rammel with wider hood to accommodate modern eyeglasses. Designed for viewing vintage and contemporary stereo view cards.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517513979328-JL1KFW3NW1S8WOOIL3TV/StereoCameraWEB.jpg</image:loc>
      <image:title>Stereo (3D) photography - Stereo pinhole camera built by Hal Rammel, 1997.</image:title>
      <image:caption>This stereo (3D) pinhole camera uses paper negatives (3" x 7") to produce side-by-side images which can be used in vintage stereoscopes when mounted on 3 1/2"x 7" cards.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1580911388972-HKB8Q7QFNPCMI8A71W2A/ConcentrationOfAttention_HR.jpg</image:loc>
      <image:title>Stereo (3D) photography - The Concentration of Attention</image:title>
      <image:caption>A collection of stereo photographs by Hal Rammel, packaged with a stereo viewer. This volume includes a comprehensive essay by Steve Schlei on stereo photography and the visual art of Hal Rammel.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517514258659-03Y6LQLMR4QVP8MZ8O2F/view+1998web.jpg</image:loc>
      <image:title>Stereo (3D) photography - Stereo photogram, 1999</image:title>
      <image:caption>Stereo (3D) photogram, paper negative by Hal Rammel mounted on 3 1/2" x 7" stereoview card format.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517514319016-H6HI3GRRRWJGKOZ0H8FS/HRammel_02713web.jpg</image:loc>
      <image:title>Stereo (3D) photography - Stereo photogram, 2004</image:title>
      <image:caption>Stereo (3D) photogram, a contact print positive from paper negative by Hal Rammel mounted on 3 1/2" x 7" stereoview card format.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1531673001780-11843R8YIPXDLGZAUB54/17HRammel_2007.jpg</image:loc>
      <image:title>Stereo (3D) photography - Stereo photogram, 2017</image:title>
      <image:caption>Silver gelatin prints on 3 1/2” x 7” card.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1531673128414-LQK52CULC1WAJCUX6Y8X/HRammel_02784bWEB.jpg</image:loc>
      <image:title>Stereo (3D) photography - Stereo photogram, 2007.</image:title>
      <image:caption>Silver gelatin prints (contact print positive) on 3 1/2” x 7” card.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1531673228559-YXMPQJ7I9KZFMQQBGF6B/HRammelcard7WEB.jpg</image:loc>
      <image:title>Stereo (3D) photography - Stereo pinhole photograph, 1997</image:title>
      <image:caption>Silver gelatin prints (original pinhole negatives) on 3 1/2” x 7” card.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1531673324442-635ONA6J7K5P1XCJIR2G/HRammel_035272aaWEB.jpg</image:loc>
      <image:title>Stereo (3D) photography - Stereo pinhole photograph, 1997.</image:title>
      <image:caption>Silver gelatin prints (original pinhole negatives) on 3 1/2” x 7” card.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1531685827775-2PRYCHQRPCK2GLBIGY4B/HR_Card173301WEB.jpg</image:loc>
      <image:title>Stereo (3D) photography - Stereo photogram, 2017.</image:title>
      <image:caption>Silver gelatin prints on 3 1/2” x 7” card.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1546982003543-33B336QOTOHP19NSQU2U/StillLife_KnockdownFB.jpg</image:loc>
      <image:title>Stereo (3D) photography - Still Life with Knockdown Doll, 2018</image:title>
      <image:caption>Stereoscopic pinhole photograph, 2018. Silver gelatin prints mounted on 11” x 19” card.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1546982132061-4M8WJMHPUQ74RPJ9DIYN/PairedFilm121117FB.jpg</image:loc>
      <image:title>Stereo (3D) photography - Caged Birds, 2018.</image:title>
      <image:caption>Stereoscopic photogram, 2018. Silver gelatin prints mounted on 11” x 19” card.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.halrammel.com/musical-instruments-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-06-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517431632773-FX4SSETGSVOWGZUU68YL/palettetable2WEB.jpg</image:loc>
      <image:title>Musical instruments - Amplified palette, 2004</image:title>
      <image:caption>Amplified palette designed and constructed by Hal Rammel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517431632773-FX4SSETGSVOWGZUU68YL/palettetable2WEB.jpg</image:loc>
      <image:title>Musical instruments - Amplified palette, 2004</image:title>
      <image:caption>Amplified palette designed and constructed by Hal Rammel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517431729062-J3L00JTZWNT3F1G0H67W/palette2012WEB.jpg</image:loc>
      <image:title>Musical instruments - Amplified palette, 2009</image:title>
      <image:caption>Amplified palette designed and built by Hal Rammel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517495000602-C76F0M99E4LZ384FM5HU/Palettecover_web.jpg</image:loc>
      <image:title>Musical instruments - The Amplified Palette: A History in Pictures, 2016</image:title>
      <image:caption>The Amplified Palette: A History in Pictures (Penumbra Music, 2016) celebrates the 25th anniversary of the invention and exploration of this unique musical instrument first designed and built by Hal Rammel in 1991.  The amplified palette is a thin wooden board fashioned in the shape of an artist’s palette and outfitted with a contact mic and numerous vertically-mounted wood and metal rods and played with a variety of uniquely designed bows and mallets. The amplified palette produces an astonishing array of sounds as noted in Christopher Burns introductory essay: “Onomatopoeia can’t do the palettes justice: grunting, crying, keening, chiming, pealing, clanging, sawing, sizzling, and scraping barely begin to suggest the range of timbres, or to express their depth and intricacy.”</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517495366818-5EIUNMY0Y5C9RRQBZ5I8/HR_BraqueWEB.jpg</image:loc>
      <image:title>Musical instruments - Braque's Palette, 2012</image:title>
      <image:caption>Amplified palette modeled after the shape of a palette built by Georges Braque in the early 1930s.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1528934500864-KYC89WQEDZF2Z51RVSXQ/Bibliolin_HR+copy.jpg</image:loc>
      <image:title>Musical instruments - Bibliolin (How Music Grew), 1990</image:title>
      <image:caption>Violin constructed from wood and paper, 6” x 4” x 18.” Donated to the permanent collection of the National Music Museum (Vermillion, SD) in 2014.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1528934662513-OCUX9JCZL3EOJLAK1F4C/Interocyter_HR+copy.jpg</image:loc>
      <image:title>Musical instruments - Interocyter, 1997</image:title>
      <image:caption>Percussion instrument from wood &amp; metal, 14” x 10” x 17.” Donated to the permanent collection of the National Music Museum (Vermillion, SD) in 2014.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1528934818075-S42PR7STAP3HRZ2WT8SX/Sistrum_HR.jpg</image:loc>
      <image:title>Musical instruments - Sistrum, 1997</image:title>
      <image:caption>Percussion instrument from wood &amp; metal, 13” x 3” x 30.” Donated to the permanent collection of the National Music Museum (Vermillion, SD) in 2014.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.halrammel.com/portraiture</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2025-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517431783208-K01QMNYAL6N8MCSKXGB3/palettebird_WEB.jpg</image:loc>
      <image:title>Selected works - Amplified palette, 2010</image:title>
      <image:caption>Amplified palette designed and built by Hal Rammel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517431783208-K01QMNYAL6N8MCSKXGB3/palettebird_WEB.jpg</image:loc>
      <image:title>Selected works - Amplified palette, 2010</image:title>
      <image:caption>Amplified palette designed and built by Hal Rammel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1736619938627-GWJW92MSUPXPUIIZ99M1/HalRammel_HobosRubesClowns_wp+copy.jpg</image:loc>
      <image:title>Selected works</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517422288344-87OCFJHY3F9MQ4K7IDTJ/HR_LRsky.jpg</image:loc>
      <image:title>Selected works - Directions to the Sky, 2014</image:title>
      <image:caption>Pinhole photograph by Hal Rammel of welded steel sculpture by Lillian Rammel. Silver gelatin print, 8" x 10."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517422573952-DA15XNBNQ4OL7TFFLZFL/Radiance4HR.jpg</image:loc>
      <image:title>Selected works - New Radiance, 2016</image:title>
      <image:caption>Careless photograph by Hal Rammel. Silver gelatin print, 6" x 6."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517494594720-SYYGCR8LP16T8PYUX5E8/Palettecover_web.jpg</image:loc>
      <image:title>Selected works - The Amplified Palette: A History in Pictures, 2016</image:title>
      <image:caption>The Amplified Palette: A History in Pictures (Penumbra Music, 2016) celebrates the 25th anniversary of the invention and exploration of this unique musical instrument first designed and built by Hal Rammel in 1991.  The amplified palette is a thin wooden board fashioned in the shape of an artist’s palette and outfitted with a contact mic and numerous vertically-mounted wood and metal rods and played with a variety of uniquely designed bows and mallets. The amplified palette produces an astonishing array of sounds as noted in Christopher Burns introductory essay: “Onomatopoeia can’t do the palettes justice: grunting, crying, keening, chiming, pealing, clanging, sawing, sizzling, and scraping barely begin to suggest the range of timbres, or to express their depth and intricacy.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517504274507-SE1FZ4JHOOX8ZFMBXN4C/Penumbra10inchWEB.jpg</image:loc>
      <image:title>Selected works</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1736619673880-T2R6DQZY4VRMD2041KTE/HalRammel_%2BMusicAlwaysRound_wp%2Bcopy.jpg</image:loc>
      <image:title>Selected works</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517504294540-L3KPPV545SD09IVZT1UW/PenumbraCD018web.jpg</image:loc>
      <image:title>Selected works</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1557952941628-0BDSKFPNQFYYZLLSBK9N/CD017coverWEB.jpg</image:loc>
      <image:title>Selected works - Fractures &amp;amp; Phantoms</image:title>
      <image:caption>Duo improvisation by Matt Turner (cello) and Hal Rammel (amplified palette). Penumbra Music CD017.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1557952267280-AGYX7LFGZ86XNXSTZ0NE/TendrilsShadows+website.jpg</image:loc>
      <image:title>Selected works - Tendrils &amp;amp; Their Shadows</image:title>
      <image:caption>Photographs of wild grape vine tendrils and their shadows in winter light by Hal Rammel., 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1739211296110-VX2YMCK9ZBAR20W2G2Z2/image-asset.jpeg</image:loc>
      <image:title>Selected works</image:title>
      <image:caption>Multiple exposure photogram - camera less by flashlight (2025).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.halrammel.com/cameraless-photography-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517424016841-0324L8YC82K56EI76P54/Rad_LzHR.jpg</image:loc>
      <image:title>Photograms (cameraless photography) - Beyond the Hearing of its Voices, 2016</image:title>
      <image:caption>Cameraless photograph by Hal Rammel (silver gelatin print, 6" x 6"). From A New Radiance; Twelve Photographs for Lafcadio Hearn (Penumbra Music Press, 2016).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517424016841-0324L8YC82K56EI76P54/Rad_LzHR.jpg</image:loc>
      <image:title>Photograms (cameraless photography) - Beyond the Hearing of its Voices, 2016</image:title>
      <image:caption>Cameraless photograph by Hal Rammel (silver gelatin print, 6" x 6"). From A New Radiance; Twelve Photographs for Lafcadio Hearn (Penumbra Music Press, 2016).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517424125135-0LD0TV6GZNCNXXIP81HQ/Nov2015AAbordZ_hr.jpg</image:loc>
      <image:title>Photograms (cameraless photography) - Freed from Dust and Film, 2016</image:title>
      <image:caption>Cameraless photograph by Hal Rammel (silver gelatin print, 6" x 6"). From A New Radiance; Twelve Photographs for Lafcadio Hearn (Penumbra Music Press, 2016).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517423521336-2XKS0KIMDIDEUTZQJFU2/Radiance4HR.jpg</image:loc>
      <image:title>Photograms (cameraless photography) - Nature is Dangerous Here, 2016</image:title>
      <image:caption>Cameraless photograph by Hal Rammel (silver gelatin print, 6" x 6"). From A New Radiance; Twelve Photographs for Lafcadio Hearn (Penumbra Music Press, 2016).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517424361041-Y5AFJC3EI5N8U6EATIAB/path12_HR.jpg</image:loc>
      <image:title>Photograms (cameraless photography) - Anunitum, 2015</image:title>
      <image:caption>Cameraless photograph by Hal Rammel (silver gelatin print, 7" x 7"). From Paths to Resemblance (Penumbra Music Press, 2015).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517424452239-T45K661DDNQANJGHZE6P/path11_HR.jpg</image:loc>
      <image:title>Photograms (cameraless photography) - Crux, 2015</image:title>
      <image:caption>Cameraless photograph by Hal Rammel (silver gelatin print, 7" x 7"). From Paths to Resemblance (Penumbra Music Press, 2015).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517424809513-20MUTH0D6BI6QOF5WF2H/914gram_HR.jpg</image:loc>
      <image:title>Photograms (cameraless photography) - Clamorous Woods, 2013</image:title>
      <image:caption>Cameraless photograph by Hal Rammel (silver gelatin print, 7" x 7"). From Paths to Resemblance (Penumbra Music Press, 2015).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517423357294-VZ9MGI4NTXKRT8H6C417/flashlightHR4.jpg</image:loc>
      <image:title>Photograms (cameraless photography) - Night by Flashlight, 2016.</image:title>
      <image:caption>Cameraless photograph by Hal Rammel (silver gelatin print, 6" x 7 1/2").</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.halrammel.com/performances</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-10-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1542400583314-FHW2JPR2KU3407DNMN97/PaVdaPlus.jpg</image:loc>
      <image:title>Performances - PaVda with special guest Amanda Schoofs</image:title>
      <image:caption>PaVda (featuring Linda Binder playing viola d’amore and waterphone) performing at Woodland Pattern Book Center in October 2018 with special guest vocalist Amanda Schoofs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1542400583314-FHW2JPR2KU3407DNMN97/PaVdaPlus.jpg</image:loc>
      <image:title>Performances - PaVda with special guest Amanda Schoofs</image:title>
      <image:caption>PaVda (featuring Linda Binder playing viola d’amore and waterphone) performing at Woodland Pattern Book Center in October 2018 with special guest vocalist Amanda Schoofs.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517504510816-KXNJBBTRHFKVEU1SB9G7/MattandHal.jpg</image:loc>
      <image:title>Performances</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517506449415-H2U2UUF1D3FH85DMUQR0/PaVdaWEB.jpg</image:loc>
      <image:title>Performances - PaVda at Woodland Pattern Book Center, Milwaukee, 2016</image:title>
      <image:caption>The improvising duo PaVda features Linda Binder (viola d'amore, waterphone) and Hal Rammel (amplified palettes, saw, and waterphone).  Formed in 2015, the name PaVda signifies ‘Pa’ for palette and ‘Vda’ for viola d’amore.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517506760134-ZLNBTUJW6IGG6AYHOHV5/ScrawlAcmeWM_web.jpg</image:loc>
      <image:title>Performances - Scrawl at Acme Records &amp; Music Emporium, Milwaukee, 2015</image:title>
      <image:caption>The duo Scrawl features Chris Burns (electric guitar) and Hal Rammel (amplified palettes). Photo by Wilhelm Matthies.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517506979295-4HGX5WLAE4ZCHA02BI5D/withMattAcmeGL2015.jpg</image:loc>
      <image:title>Performances - Matt Turner and Hal Rammel at Acme Records &amp; Music Emporium, Milwaukee, 2016</image:title>
      <image:caption>Matt Turner (cello) and Hal Rammel (amplified palettes) have been improvising together since the early 1990s. They released the duo CD Fractures &amp; Phantoms in 2015 and the 10" record As on a Pivot of Air in 2016, both recordings produced by Penumbra Music in Grafton, Wisconsin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517507276189-3Z1XGXG8M29VWMZ2MMCZ/WM_HRweb.jpg</image:loc>
      <image:title>Performances - Hal Rammel with amplified palette.</image:title>
      <image:caption>Photo by Wilhelm Matthies.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517507421959-8QUSFCVLZIO8ZGQEQ58Y/HRRiverwest_TimLadwigWEB.jpg</image:loc>
      <image:title>Performances - Solo concert, 1994.</image:title>
      <image:caption>A solo concert by Hal Rammel at the Riverwest Artist Association Gallery in Milwaukee in early 1990s. Photo by Tim Ladwig.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517507784596-QZL45QIAA8K4T2X0C393/HRacme_Xweb.jpg</image:loc>
      <image:title>Performances - Hal Rammel with amplified palettes</image:title>
      <image:caption>Performance at Acme Records &amp; Music Emporium, Milwaukee, 2015. Photo by Wilhelm Matthies.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517581043461-IJUXGC5K2QPCZH1X7CWM/HRLouSandraWEB.jpg</image:loc>
      <image:title>Performances - Trio performance with Sandra Binion and Lou Mallozzi, 2012</image:title>
      <image:caption>Trio performance at Woodland Pattern Book Center in Milwaukee: Lou Mallozzi (voice and texts), Sandra Binion (voice and texts), Hal Rammel (musical saw).</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.halrammel.com/nowhere-in-america</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517503355837-WAOTFRP7ULP366H9EP1O/nowhere_WEB.jpg</image:loc>
      <image:title>Nowhere in America - Nowhere in America: The Big Rock Candy Mountain and Other Comic Utopias</image:title>
      <image:caption>Diddie Wah Diddie, Doo Wa Ditty, the Big Rock Candy Mountain,the Land of  Cockaigne, Lubberland, Schlaraffenland, and Nowhere share a history that follows a straight, crooked course extending further back in time and covering far more territory than might be thought possible of what today remain most familiar as subjects of simple children's songs and obscure folk tales. These remarkable places lie within the broader borders of equally remarkable lands that exist far beyond here or anywhere, maybe not even somewhere, in other words, nowhere. Although Nowhere can be found in the imaginative landscape of every land's folklore, Nowhere in America: The Big Rock Candy Mountain and Other Comic Utopias (University of Illinois Press, l990) proposes to identify and describe its presence in the imaginative landscape of America.  From its earliest documented appearances in Greek Attic comedies of Teleclides, images and confabulations of a world turned upside down where rivers flow with milk, wine, and whiskey, where hens lay hard-boiled eggs, and clouds rain apple pies flow into the marvelous nooks and crannies of American popular culture. Nowhere in America chronicles the appearance of these marvels in Dogpatch (with L'Abner and the Shmoo); in the blues of Blind Blake, Mississippi Fred McDowell, and Sleepy John Estes; in the repertoire of Bo Diddley, Earl MacDonald’s Original Louisville Jug Band, Bob Wills and the Texas Playboys, and Haywire Mac McClintock; in the cartoons of Windsor McCay, Walt Kelly, Charles Addams, and Carl Barks; and in the film comedies of Laurel and Hardy, Charlie Chaplin, Terry Gilliam, Pee Wee Herman, and Charles Bowers.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517503355837-WAOTFRP7ULP366H9EP1O/nowhere_WEB.jpg</image:loc>
      <image:title>Nowhere in America - Nowhere in America: The Big Rock Candy Mountain and Other Comic Utopias</image:title>
      <image:caption>Diddie Wah Diddie, Doo Wa Ditty, the Big Rock Candy Mountain,the Land of  Cockaigne, Lubberland, Schlaraffenland, and Nowhere share a history that follows a straight, crooked course extending further back in time and covering far more territory than might be thought possible of what today remain most familiar as subjects of simple children's songs and obscure folk tales. These remarkable places lie within the broader borders of equally remarkable lands that exist far beyond here or anywhere, maybe not even somewhere, in other words, nowhere. Although Nowhere can be found in the imaginative landscape of every land's folklore, Nowhere in America: The Big Rock Candy Mountain and Other Comic Utopias (University of Illinois Press, l990) proposes to identify and describe its presence in the imaginative landscape of America.  From its earliest documented appearances in Greek Attic comedies of Teleclides, images and confabulations of a world turned upside down where rivers flow with milk, wine, and whiskey, where hens lay hard-boiled eggs, and clouds rain apple pies flow into the marvelous nooks and crannies of American popular culture. Nowhere in America chronicles the appearance of these marvels in Dogpatch (with L'Abner and the Shmoo); in the blues of Blind Blake, Mississippi Fred McDowell, and Sleepy John Estes; in the repertoire of Bo Diddley, Earl MacDonald’s Original Louisville Jug Band, Bob Wills and the Texas Playboys, and Haywire Mac McClintock; in the cartoons of Windsor McCay, Walt Kelly, Charles Addams, and Carl Barks; and in the film comedies of Laurel and Hardy, Charlie Chaplin, Terry Gilliam, Pee Wee Herman, and Charles Bowers.  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517518449771-7N5YJKWGJWZ70HSQZWEQ/nowhere_WEB.jpg</image:loc>
      <image:title>Nowhere in America</image:title>
      <image:caption>Diddie Wah Diddie, Doo Wa Ditty, the Big Rock Candy Mountain,the Land of  Cockaigne, Lubberland, Schlaraffenland, and Nowhere share a history that follows a straight, crooked course extending further back in time and covering far more territory than might be thought possible of what today remain most familiar as subjects of simple children's songs and obscure folk tales. These remarkable places lie within the broader borders of equally remarkable lands that exist far beyond here or anywhere, maybe not even somewhere, in other words, nowhere. Although Nowhere can be found in the imaginative landscape of every land's folklore, Nowhere in America: The Big Rock Candy Mountain and Other Comic Utopias (University of Illinois Press, l990) proposes to identify and describe its presence in the imaginative landscape of America.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.halrammel.com/pinhole-photograms</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-10-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517580963595-MX7G4UT2B2ND1GNB6E0V/HRammel_ClearingWEB.jpg</image:loc>
      <image:title>Pinhole photograms - Clearing in Half-Light (for Charles Burchfield), 2004</image:title>
      <image:caption>Multiple exposure in-camera pinhole photogram. Silver gelatin print, 8" x 10."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517580963595-MX7G4UT2B2ND1GNB6E0V/HRammel_ClearingWEB.jpg</image:loc>
      <image:title>Pinhole photograms - Clearing in Half-Light (for Charles Burchfield), 2004</image:title>
      <image:caption>Multiple exposure in-camera pinhole photogram. Silver gelatin print, 8" x 10."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517580737832-YZUFTABW845IDRGC9DH7/HR_TornEdgesWEB.jpg</image:loc>
      <image:title>Pinhole photograms - Torn Edges of the World, 2007</image:title>
      <image:caption>Multiple exposure in-camera pinhole photogram. Silver gelatin print, 5" x 7."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5a71f7920abd04dc5622c245/5a74719aec212d3cfa997458/5a7472358165f59ee87375ca/1517580853196/</image:loc>
      <image:title>Pinhole photograms</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517580858877-JNYXSY9152NG9S954OWS/HR_SoundPoemContraptionWEB.jpg</image:loc>
      <image:title>Pinhole photograms - Sound Poem Contraption, 2005</image:title>
      <image:caption>Multiple exposure in-camera pinhole photogram. Silver gelatin print, 8" x 10."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517580914393-W46WKSIIKM7T5VOHEF96/HR_LunarCausticWEB.jpg</image:loc>
      <image:title>Pinhole photograms - Lunar Caustic (for Malcolm Lowry), 2003</image:title>
      <image:caption>Multiple exposure in-camera pinhole photogram. Silver gelatin print, 5" x 7."</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5a71f7920abd04dc5622c245/5a74719aec212d3cfa997458/5a74726ae2c483a4594c713a/1517580906975/</image:loc>
      <image:title>Pinhole photograms</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.halrammel.com/papercuts</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1580930158678-O04ENIYLTS0LC3KTRGNI/Thriving_011720.jpg</image:loc>
      <image:title>Papercuts - Thriving from a Riff (for Charles Parker, 1945).</image:title>
      <image:caption>Papercut (8” x 8”), 2020. Three takes of “Thriving from a Riff” were recorded by the Charles Parker quintet on November 26, 1945 in a session that led up to the culminating performance of “Koko”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1580930158678-O04ENIYLTS0LC3KTRGNI/Thriving_011720.jpg</image:loc>
      <image:title>Papercuts - Thriving from a Riff (for Charles Parker, 1945).</image:title>
      <image:caption>Papercut (8” x 8”), 2020. Three takes of “Thriving from a Riff” were recorded by the Charles Parker quintet on November 26, 1945 in a session that led up to the culminating performance of “Koko”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517602635522-KBOM346VGRI38WW3PPFL/papercut_HR1.jpg</image:loc>
      <image:title>Papercuts - Papercut, 2010</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1527627580436-GR4Q03DO4R575GSE4TS3/Rammel_2WEBfbFB.jpg</image:loc>
      <image:title>Papercuts - Papercut, 2010</image:title>
      <image:caption>14” x 18”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1527627636268-ZB6F33MF561QU3QBTGE5/Rammel_1WEB+fb.jpg</image:loc>
      <image:title>Papercuts - Frenzy (for Al Cooper and his Savoy Sultans, 1940)</image:title>
      <image:caption>Papercut (13“ x 16“), 2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1527627681902-F7SEYCMAGHCG100GBRK0/Rammel4_fb.jpg</image:loc>
      <image:title>Papercuts - Radio Rhythm (for Fletcher Henderson, 1931)</image:title>
      <image:caption>Papercut (9“ x 12“), 2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1527627719718-31COPNL51Y4JFN8XDVBC/Rammel3_fb.jpg</image:loc>
      <image:title>Papercuts - Got the Jitters (for Don Redman, 1934)</image:title>
      <image:caption>Papercut (13” x 17”), 2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1535124325615-YYPG6N98R0HAZP7N2CH7/HRammel_BirdInIgorsYard.jpg</image:loc>
      <image:title>Papercuts - A Bird in Igor's Yard (for George Russell, 1949)</image:title>
      <image:caption>Papercut (8” x 8”), 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1535124497997-2UYC2WAF7NAF4JDE0MRN/HRammel_CubanoBop.jpg</image:loc>
      <image:title>Papercuts - Cubana Be, Cubana Bop (for George Russell, 1948)</image:title>
      <image:caption>Papercut (8” x 8”), 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1580930044239-11WNU8VSOY5GP83FIZRY/Odjenar1951GR_010820.jpg</image:loc>
      <image:title>Papercuts - Odjenar (for George Russell, 1951).</image:title>
      <image:caption>Papercut (8” x 8”), January 2020. The title “Odjenar” derives from a George Russell composition recorded by the Lee Konitz Sextet with Miles Davis on March 8, 1951.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1580930541738-MJHVIYUMNR6ERC495VCV/EzzThetic_011320.jpg</image:loc>
      <image:title>Papercuts - Ezz-Thetic (for George Russell, 1948).</image:title>
      <image:caption>Papercut (8” x 8”), January 2020. The title of this papercut derives from the 1951 recording of “Ezz-Thetic” by the Lee Konitz Sextet with Miles Davis in 1951. Reportedly, Russell wrote “Ezz-Thetic” in honor of boxer/double bassist Ezzard Charles.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1581976939140-0I471RI6XTGWEY9UWI9T/20200216_from2010FB.jpg</image:loc>
      <image:title>Papercuts</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.halrammel.com/views-through-a-kaleidophone</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-07-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1531674217448-0MXK1T2XO894VTSHBT2A/D10837_2+copy.jpg</image:loc>
      <image:title>Kaleidophone studies</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1531674217448-0MXK1T2XO894VTSHBT2A/D10837_2+copy.jpg</image:loc>
      <image:title>Kaleidophone studies</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1531674249625-QBIYEMHBVFDHZVKE0JQ1/C10761hand.jpg</image:loc>
      <image:title>Kaleidophone studies - Overtones in Space &amp; Time, 2018.</image:title>
      <image:caption>The kaleidophone was invented by British inventor/scientist Charles Wheatstone in 1827 as a “philosophical toy” offering a visible display of complex vibratory motion. Fixed to a solid wooden base, a thin steel rod with a glass bead attached to the top is illuminated by a light source and photographed at varying shutter speeds as it is struck or bowed closer to the base.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1531674328871-RFKV9QMJXKA3RSWM76T4/A485.jpg</image:loc>
      <image:title>Kaleidophone studies - Kaleidophone study, 2018.</image:title>
      <image:caption>The kaleidophone was invented by British inventor/scientist Charles Wheatstone in 1827 as a “philosophical toy” offering a visible display of complex vibratory motion. Fixed to a solid wooden base, a thin steel rod with a glass bead attached to the top is illuminated by a light source and photographed at varying shutter speeds as it is struck or bowed closer to the base.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1531674474568-1UX67LDG379EPDJ6JGR1/D10848_2fb.jpg</image:loc>
      <image:title>Kaleidophone studies - Kaleidophone study, 2018.</image:title>
      <image:caption>The kaleidophone was invented by British inventor/scientist Charles Wheatstone in 1827 as a “philosophical toy” offering a visible display of complex vibratory motion. Fixed to a solid wooden base, a thin steel rod with a glass bead attached to the top is illuminated by a light source and photographed at varying shutter speeds as it is struck or bowed closer to the base.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1531674519802-1RBEGXO4GJCL56MPQMLF/D10857.jpg</image:loc>
      <image:title>Kaleidophone studies - Kaleidophone study, 2018.</image:title>
      <image:caption>The kaleidophone was invented by British inventor/scientist Charles Wheatstone in 1827 as a “philosophical toy” offering a visible display of complex vibratory motion. Fixed to a solid wooden base, a thin steel rod with a glass bead attached to the top is illuminated by a light source and photographed at varying shutter speeds as it is struck or bowed closer to the base.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1531674636435-FVIT811VJ5717FIGZYDS/AAAA600.jpg</image:loc>
      <image:title>Kaleidophone studies - Kaleidophone study, 2018.</image:title>
      <image:caption>The kaleidophone was invented by British inventor/scientist Charles Wheatstone in 1827 as a “philosophical toy” offering a visible display of complex vibratory motion. Fixed to a solid wooden base, a thin steel rod with a glass bead attached to the top is illuminated by a light source and photographed at varying shutter speeds as it is struck or bowed closer to the base.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.halrammel.com/music-always-round</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-01-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1736817680241-CJS9519Z9NBP44YM8UGG/HalRammel_+MusicAlwaysRound_wp+copy.jpg</image:loc>
      <image:title>Music Always Round</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1736817680241-CJS9519Z9NBP44YM8UGG/HalRammel_+MusicAlwaysRound_wp+copy.jpg</image:loc>
      <image:title>Music Always Round</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.halrammel.com/hobos-rubes-and-clowns</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-01-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1736818470979-VRDQTKTL8VN16J1VIUCA/HalRammel_HobosRubesClowns_wp+copy.jpg</image:loc>
      <image:title>New Galobos, Rubes, and Clowns: Comic Brass Bands in the early 1900s in America.</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1736818470979-VRDQTKTL8VN16J1VIUCA/HalRammel_HobosRubesClowns_wp+copy.jpg</image:loc>
      <image:title>New Galobos, Rubes, and Clowns: Comic Brass Bands in the early 1900s in America.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.halrammel.com/read-me</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-06</lastmod>
  </url>
  <url>
    <loc>https://www.halrammel.com/contact</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-01-03</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1517430982746-TVY58IG6BVR6L2Y308QP/HRammel_byGLitherland.jpg</image:loc>
      <image:title>Biography</image:title>
      <image:caption>Portrait of Hal Rammel by Gina Litherland, 2017</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.halrammel.com/articles-essays</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-05-15</lastmod>
  </url>
  <url>
    <loc>https://www.halrammel.com/new-page</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-10-19</lastmod>
  </url>
  <url>
    <loc>https://www.halrammel.com/new-page-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-01-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1549405091698-JUJ4LMW2AL287DXEKW0W/HRammel_HamesOctober18b.jpg</image:loc>
      <image:title>ARTservancy ... with the Ozaukee Washington Land Trust</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1549405060107-C6Q56CXXQ84C1YF7GQU5/HRammel_HamesNovemberA.jpg</image:loc>
      <image:title>ARTservancy ... with the Ozaukee Washington Land Trust</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1549405029767-HOJ4Y8J20PTHG5C7S0G0/HRammel_HamesOctober18a.jpg</image:loc>
      <image:title>ARTservancy ... with the Ozaukee Washington Land Trust</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1549405118409-31NZE7OK2QDA3UYVPT3F/HRammel_HamesOctoberc.jpg</image:loc>
      <image:title>ARTservancy ... with the Ozaukee Washington Land Trust</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.halrammel.com/new-page-2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1581972048351-LB6RZ8VJV2TVQRR0CCWN/TurnerRammel.jpg</image:loc>
      <image:title>Selected Music</image:title>
      <image:caption>Listen to Orchestra of Storms on Plus Timbre here:</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1581972239613-CIW4S6GBC1R6AJCL2D1B/2015PaVda_Bwebssite.jpg</image:loc>
      <image:title>Selected Music</image:title>
      <image:caption>PaVda with Linda Binder and Hal Rammel on Fieldstone Recordings here:</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.halrammel.com/photograms-by-flashlight</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-02-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/d5e04c41-0943-4ec4-9d1b-01f529345a13/Flashlight2016_HR4.jpg</image:loc>
      <image:title>Photograms by flashlight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1739210524832-2D53F1ZF5FESBF7VS2BQ/Flashlight2016_HR1.jpg</image:loc>
      <image:title>Photograms by flashlight - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5a71f7920abd04dc5622c245/1739210688484-S9AT82FE86RJYYR9CHTD/Flashlight2016_HR1.jpg</image:loc>
      <image:title>Photograms by flashlight</image:title>
    </image:image>
  </url>
</urlset>

