
Papercut (8” x 8”), 2020. Three takes of “Thriving from a Riff” were recorded by the Charles Parker quintet on November 26, 1945 in a session that led up to the culminating performance of “Koko”.

14” x 18”

Papercut (13“ x 16“), 2010

Papercut (9“ x 12“), 2010

Papercut (13” x 17”), 2010

Papercut (8” x 8”), 2018

Papercut (8” x 8”), 2018

Papercut (8” x 8”), January 2020. The title “Odjenar” derives from a George Russell composition recorded by the Lee Konitz Sextet with Miles Davis on March 8, 1951.

Papercut (8” x 8”), January 2020. The title of this papercut derives from the 1951 recording of “Ezz-Thetic” by the Lee Konitz Sextet with Miles Davis in 1951. Reportedly, Russell wrote “Ezz-Thetic” in honor of boxer/double bassist Ezzard Charles.











Papercut (8” x 8”), 2020. Three takes of “Thriving from a Riff” were recorded by the Charles Parker quintet on November 26, 1945 in a session that led up to the culminating performance of “Koko”.
14” x 18”
Papercut (13“ x 16“), 2010
Papercut (9“ x 12“), 2010
Papercut (13” x 17”), 2010
Papercut (8” x 8”), 2018
Papercut (8” x 8”), 2018
Papercut (8” x 8”), January 2020. The title “Odjenar” derives from a George Russell composition recorded by the Lee Konitz Sextet with Miles Davis on March 8, 1951.
Papercut (8” x 8”), January 2020. The title of this papercut derives from the 1951 recording of “Ezz-Thetic” by the Lee Konitz Sextet with Miles Davis in 1951. Reportedly, Russell wrote “Ezz-Thetic” in honor of boxer/double bassist Ezzard Charles.